The system is biamplified: Each transducer is powered by a 90W RMS, Class D power amp with an internal heat sink. Each Sceptre has its own internal power supply with IEC connector and a power switch with on/off LED.
All Sceptre-series monitors have a balanced XLR and ¼-inch TRS line-level inputs with A-taper level control.
To this package of custom transducers, powerful DSP running custom software, and first-rate power amplification, add a rich set of acoustic adjustments and full speaker protection, and you have a new, affordable close-field monitoring standard for project studios and commercial facilities.
As you expect from PreSonus, Sceptre studio monitors use top-quality components and construction quality fit for royalty—and they look regal, too!
The first time you hear Sceptre-series CoActual™ 2-way studio monitors, you’ll discover fine nuances of your music that can’t be reproduced by conventional designs. The Sceptre’s panoramic soundstage, fine detail, and stunning dynamics will astonish you.
Solving the problems involved in coaxial designs requires massive amounts of DSP and subtle, sophisticated transducer design, which is why such systems have, in the past, been limited to very high-end systems with external processors.
However, Fulcrum Acoustic’s amazing, cutting-edge technology has allowed us to overcome the usual design problems of coaxial systems while taking advantage of coaxial’s unique properties. Thanks to custom transducers and TQ algorithms designed by Fulcrum’s Dave Gunness, Sceptre CoActual monitors deliver clarity and coherence that has previously only been available in ultra-high-end systems.
Multi-way, non-coaxial speaker designs have long been the way to go in speaker applications. But they suffer from the changing relationship between the listener and the speaker elements: When you move around in the coverage area, the sound is inconsistent. Even more troublesome, the crossover point between the drivers can sometimes be audible.
Coaxial systems solve this by having the drivers on the same axis, thus providing a single point source for a consistent acoustic center. This results in symmetry of response on both the horizontal and vertical axis, at any given angle. The crossover transition is seamless (inaudible) at all angles. (By “symmetry,” we mean that whatever response is observed at a given angle with respect to the axis, the same response will be observed at that angle in the opposite direction. The loudspeaker’s behavior is “mirrored” about its axis.)
Non-coaxial loudspeakers cannot exhibit this symmetry.
All of which is great for coaxials, in theory—yet very few companies have successfully marketed coaxial studio monitors, and only a few very expensive models are considered to be truly of professional caliber. That’s because coaxial designs are fiendishly difficult to get right. The challenges are complex and, to date, impossible to solve with acoustic design alone. Making it work at high sound-pressure levels is especially difficult.
Fortunately, a company called Fulcrum Acoustic developed a solution based on a sophisticated combination of driver design and signal processing that we’ll discuss in the section “The Magic of TQ™.” This eventually led to PreSonus Sceptre-series monitors (and also to PreSonus StudioLive™ AI-series PA speakers).