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DigiTech RP500 Integrated Effect Switching System

Digitech

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 Make the complex simple. Pros use large effect switching systems to connect and make it simple to control large assortments of stompboxes, effects and amps. They need control over effect’s on/off state as well as the ability to completely change the effects in their “pedalboard” at the touch of a single button.

Stompbox feel. Pros like stompbox type metal switches due to their feel when pressed and simplicity of operation. On/Off, or program number is all they have time to worry about in a performance.

The Simplicity of a Stompbox. The Control of an Effect Switching System. The RP500 takes the complexity of an effect switching system and combines it with the simplicity of stompboxes. Professional tones are at your disposal, all easy controlled. Concentrate on performing.

Every guitar player is different from their core tone, how they achieve it, and how they control it on stage. Whether you get your tone from your amp and just need a few effects or get your tone from a single box the RP500 has the sounds and control over them that you need. Unlike multi-effects that take over your tone and limit your control, the RP500 is an effect switching system over internal stompboxes, effects, and amps. Control your tones in Preset or Pedalboard mode. The Preset mode allows you to switch between saved presets and can drastically differ from one to another. The Pedalboard mode allows you to turn on an off individual effects and stompboxes with ease within a preset.

To top it off, the unique Amp/Cabinet Bypass mode defeats internal amplifiers and cabinets in the RP500 leaving you with just stompboxes and effects. Your RP500 is now the perfect collection of stompboxes and effects with unprecedented control to use with your distorted or clean amplifier. Augment and spice up your sound any way you’d like and retain the control you need with the RP500.

Features

  • Effect switching system offers control over internal stompboxes and effects

  • Exclusive Pedalboard mode changes the RP500 into 5 individual stompboxes

  • and effects

  • Amp/Cabinet Bypass defeats internal amp and cabinet effects in all presets

  • 40 Tone and 40 Effects Libraries

  • 200 presets (100 factory, 100 user)

  • Over 125 effects including stompboxes, choruses, delays, amps and cabinets

  • Up to 5 seconds of delay time

  • 24-bit 44.1kHz sample rate

  • Heavy-duty metal switches for stompbox response

  • Bright LEDs display program status and effect on / off

  • Large 10 character LED display for preset name, bank name and tuner

  • Built-in chromatic Tuner

  • Independent XLR Left and Right Outputs with ground lift

  • Independent 1/4" Left and Right Outputs

  • Amp / Mixer switch to engage speaker cabinet

  • Stereo 1/8" headphone output

  • Stereo 1/8" CD/MP3 Input

  • Built-in expression pedal controls the RP500’s internal wahs, volume, Whammy™ and other parameters

  • All metal construction

  • Cubase LE4 Music Production Software included

  • X-Edit Librarian Software included

  • 2 x 2 USB audio streaming

  • Power supply included

Distortions

  • SCREAMER (Based on an Ibanez® TS-9)
  • TS 808 (Based on an Ibanez TS-808 Tube Screamer)
  • SPARKDRIVE (Based on a Voodoo® Lab Sparkle Drive®)
  • OD OVERDRIVE (Based on a Guyatone® Overdrive OD-2)
  • DOD 250 (Based on a DOD® 250 Overdrive/Preamp)
  • RODENT (Based on a Pro Co RAT™)
  • MX DISTORTION (Based on an MXR® Distortion +)
  • DS (Based on a Boss® DS-1™ Distortion)
  • GRUNGE (DigiTech® Grunge®)
  • ZONE (Based on a Boss MT-2 Metal Zone®)
  • DEATH METAL (DigiTech Death Metal™)
  • GONKULATOR (Based on a DOD® Gonkulator Ring Modulator)
  • 8TAVIA (Based on a Roger Mayer Octavia™)
  • FUZZLATOR (Based on a Demeter Fuzzulator)
  • CLASSIC FUZZ (Based on a DOD Classic Fuzz)
  • FUZZY FACE (Based on an Arbiter® Fuzz Face™)
  • BIG PI (Based on an Electro-Harmonix® Big Muff Pi®)
  • REDLINE (DigiTech® Redline Overdrive)

Amps

  • 57 CHAMP Based on a '57 Fender® Tweed Champ®
  • 57 DELUXE Based on a '57 Fender® Tweed Deluxe™
  • 59 BASSMAN Based on a '59 Fender® Tweed Bassman®
  • 62 BROWN BASSMAN Based on a '62 Fender® Brownface Bassman®
  • 65 TWIN REVERB Based on a '65 Fender® Blackface Twin Reverb®
  • 65 REVERB (Based on a '65 Fender Blackface Deluxe Reverb®
  • 65 JTM-45 (Based on a '65 Marshall® JTM-45
  • 68 SUPER LEAD PLEXI Based on a '68 Marshall 100 Watt Super Lead (plexi)
  • 68 JUMP PANEL Based on a '68 Marshall Jump Panel
  • 77 MASTER VOLUME Based on a '77 Marshall Master Volume
  • 83 JCM800 Based on an '83 Marshall JCM800
  • 93 JCM900 Based on a '93 Marshall JCM900
  • 01 JCM2000 Based on an '01 Marshall JCM2000 (Solo Channel)
  • 62 AC15 Based on a '62 Vox® AC15
  • 63 AC30 TOP BOOST Based on a '63 Vox AC30 Top Boost
  • 69 HIGH WATTAGE Based on a '69 Hiwatt® Custom 100 DR103
  • 81 MARK IIC Based on an '81 Mesa Boogie® Mark II C
  • 01 DUAL RECTIFIED Based on an '01 Mesa Boogie Dual Rectifier
  • MARK 4 Based on an '93 Mesa Boogie Mark IV
  • TRIPLE RECTIFIED Based on an '01 Mesa Boogie Triple Rectifier
  • 99 LEGACY VL-100 Based on a Carvin® Legacy VL-100
  • 96 MATCH HC-30 Based on a '96 MatchlessTM HC30
  • 88 SLO-100 Based on an '88 Soldano SLO-100
  • GA-40 Based on a Gibson® GA-40
  • 5150 II Based on a Peavey® 5150® II
  • JAZZ COMBO Based on a Roland® JC-120
  • SOLAR 100S Based on a Sunn® 100S
  • HT-100 Based on a Randall® HT-100
  • OJ 120 Based on a Orange™ OR 120
  • SUPER G Based on a Laney™ Supergroup
  • DIGITECH SOLO DigiTech® Solo
  • DIGITECH METAL DigiTech Metal
  • DIGITECH BRIGHT CLEAN DigiTech Bright Clean
  • DIGITECH CHUNK DigiTech Chunk
  • DIGITECH CLEAN TUBE DigiTech 2101 Clean Tube
  • DIGITECH CRUNCH DigiTech Crunch
  • DIGITECH BLUES DigiTech Blues
  • DIGITECH FUZZ DigiTech Fuzz
  • DIGITECH SPANK DigiTech Spank
  • DIGITECH HIGH GAIN DigiTech High Gain
  • DIGITECH MONSTER - Maxed out gain
  • DIGITECH “TWEEDFACE” – Tweed preamp w/Blackface poweramp
  • DIGITECH “BLACKBASS” – ’65 Blackface preamp w/ Bassman poweramp
  • DIGITECH STONERROCK – Thick, sludgy distorted amp tone
  • DIGITECH DARKMETAL – Responsive, tight metal tone
  • DIGITECH TRANSISTOR – Solid state transistor amp sound
  • DIGITECH BROWNSOUND – Hot rodded 80’s stack tone
  • DIGITECH MOSH – Chunky metal tone with just the right amount of sizzle
  • 2101 CLEAN TUBE DigiTech GSP2101TM Artist Clean Tube
  • 2101 SATURATED TUBE DigiTech GSP2101 Artist Saturated Tube
  • DIRECT No amp model
  • DREADAUGHT ACOUSTIC
  • JUMBO ACOUSTIC

Cabinets

  • CHAMP 1X8 Based on a 1x8 '57 Fender® Tweed Champ®
  • DELUXE 1X12 Based on a 1x12 '57 Fender Tweed Deluxe®
  • DELUXE REVERB 1X12 Based on a 1x12 '65 Fender Blackface Deluxe Reverb
  • BRITISH 1X12 Based on a 1x12 '62 Vox® AC15 w/20W Vox Speaker
  • BLONDE 2X12 Based on a 2x12 '57 Fender Blonde Bassman®
  • TWIN 2X12 Based on a 2x12 '65 Fender Blackface Twin Reverb®
  • BRITISH 2X12 Based on a 2x12 '63 Vox® AC0 Top Boost w/ Jensen® Blue Backs
  • BASSMAN 4X10 Based on a 4x10 '59 Fender Tweed Bassman®
  • BRITISH 4X12 Based on a 4x12 Marshall® 1969 Straight w/ Celestion® G12-T70
  • GREENBACK 4X12 Based on a 4x12 Marshall 1969 Slant w/ Celestion 25W Green backs
  • FANE 4X12 Based on a 4x12 Hiwatt® Custom w/ Fane Speakers
  • BOUTIQUE 4X12 Based on a 4x12 '96 VHT® Slant w/ Celestion Vintage 30’s
  • VINTAGE 4X12 Based on a 4x12 Johnson® Straight w/ Celestion Vintage 30’s
  • DIGITECH SOLO 4X12 4x12 DigiTech® Solo
  • DIGITECH BRIGHT 2X12 2x12 DigiTech Bright
  • DIGITECH METAL 4X12 4x12 DigiTech Metal
  • DIGITECH ROCK 4X12 4x12 DigiTech Rock
  • DIGITECH ALT 4X12 4x12 DigiTech Alt Rock
  • DIGITECH VINTAGE 4X12 4x12 DigiTech Vintage
  • DIGITECH CHUNK 4X12 4x12 DigiTech Chunk
  • DIGITECH SPANK 4X12 4x12 DigiTech Spank
  • DIGITECH SPEAKER COMP 4x12 DigiTech Speaker Compensation
  • DIRECT No cabinet model

Effects

Wahs:
DigiTech® Wah
Cry Wah Based on a Dunlop® Cry Baby™ Wah
Clyde Wah Based on a Vox® Clyde McCoy™ Wah
 
Compressors:
DigiTech® Compressor
CS Compressor Based on an Boss® CS-2 Compressor/Sustainer
Dyna Comp Based on an MXR® Dynacomp™

Noise Gate:
DigiTech® Silencer™ Noise Gate
DigiTech Auto Swell Gate

EQ:
3-band semi-parametric EQ

Chorus Stompbox Models:
DigiTech® Dual Chorus
DigiTech Multi-Chorus
DigiTech Glistening Chorus
CE Chorus based on a Boss® CE-2 Chorus
TC Chorus based on a TC Electronics® Chorus

Flanger Models:
DigiTech® Flanger
DigiTech Triggered Flanger
MX Flanger based on MXR® Flanger
EH Flanger based on Electro Harmonix® Electric Mistress™
AD Flanger based on ADA™ Flanger

Phaser Models:
DigiTech® Phaser
MX Phaser based on MXR® Phase 100
EH Phaser based on Electro Harmonix® Small Stone™

Pitch Models:
DigiTech® Whammy™
DigiTech® Pitch Shift
DigiTech® Detune
DigiTech® Harmony Pitch
Octaver based on a Boss® OC-2 Octaver™
Vibrato / Rotary Models:
DigiTech® Vibrato
DigiTech® Rotary
DigiTech® Vibro / Pan
Unovibe based on a Unicord Uni-Vibe™

Tremolo Models:
DigiTech® Tremolo
DigiTech® Panner
DigiTech ScatterTrem – Dual tremolo effect
Opto Tremolo based on a Fender® Opto Tremolo™
Bias Tremolo based on a Vox® Bias Tremolo

Envelope / Special Models:
DigiTech® Auto Yah™
DigiTech® YaYa™
DigiTech® Synth Talk™
DigiTech® Step Filter
DigiTech® Sample & Hold
DOD FX25 based on DOD® FX25 Envelope Filter

Delays:
Digital Delay
Analog Delay
Pong Delay
Modulated Delay
Tape Delay
Reverse Delay
DM Analog Delay based on Boss® DM2 Analog Delay
Echo Plex based on a Maestro EP-1 Tube Echoplex

Reverbs:
Lexicon® Ambience
Lexicon® Hall
Lexicon® Room
Lexicon® Studio
Spring based on a Fender® Twin Reverb™
EMT240 based on an EMT® 240 Plate Reverb